A real peoples history

INTRODUCTION
Farquhar McLay

ANNE MULLEN
For Whom It May Concern
JANETTE SHEPHARD
Two Stories
Where I Came From
Christmas Party
WILLIAM SUTHERLAND
fae A Clydeside Lad
BRENDAN McLAUGHLIN
Life's A Bowl o' Cherries
ADAM McNAUGHTON
The Glasgow I Used to Know
JIM McLEAN
Farewell to Glasgow
ALEXANDER RODGER (1784-1846)
Sawney, Now the King's Come
JOHN TAYLOR CALDWELL
The Battle for the Green
SANDY HOBBS
Clyde Apprentices' Strikes
RUTHERGLEN DRAMA GROUP
Caterpillar Talking Blues
FREDDY ANDERSON
The Orra Man
PHIL McPHEE
Hutchie E. A Monument to Corruption,
Stupidity and Bad Planning
JOHN McGARRIGLE
Refuge
Write Nice Things
JAMES McFARLAN (1832-1862)
The Rhymer
PETER ARNOTT & PETER MULLAN
Beechgrove Garden Festival
LEWIS GRASSIC GIBBON (1901-1935)
Glasgow
FARQUHAR McLAY
Three Poems
Toast o' the Mongers' Man
Langmuir an Algie Earns
Glasgow Smiles
ETHEL MacDONALD (1909-1960)
The Volunteer Ban
ROBERT LYNN
Not a life, Just a Leaf from it
R.D.LAING
from Wisdom, Madness and Folly
ALEX CATHCART
Nostalgically Speaking, Imagination is Money
DOMINIC BEHAN
Call Me Comrade
Babylon
THURSO BERWICK (1919-1981)
Glasgow Eskimoes
IAN McKECHNIE
The Balloon Goes Up
JEFF TORRINGTON
Singing No, No, Yuppie, Yuppie - NO!
JACK WITHERS
Four Poems: Glasgow Winter - GIesga -
Dear Grey City - Somewhere Between St.
George's Cross and Hillhead Subway
JANETTE McGINN
Gizza Hoose
FARQUHAR McLAY
Pillayboys
IAIN NICOLSON
Ihe Labour Provost
MATT McGINN (1928-1977)
A'for the Sake o' a Pub Licence
J.N. REILLY
from Triptych
JAMES D. YOUNG
Culture and Socialism
HAMISH HENDERSON
Jimmy Tyrie

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

IAN McKECHNIE

The Balloon Goes Up


He brushed his teeth again and he could still taste it, at least he thought he could.Toothpaste snaked over the wash-basin and on the floor, and his hands were still shaking.
"The Prime Minister on the phone, Sir."
"Christ," he thought, looking in the mirror, "this looks fucking comical."
His mouth was wreathed in toothpaste foam. The aide's face, reflected a look of amused puzzlement.
"What's so fucking funny?" he screamed.
Suds spluttered from his mouth over the mirror and wash-basin. The aide
jumped from sight. It was obvious what was funny. He was hysterical and he
knew it. Objectivity was part of his hysteria.
He rinsed out his mouth and dried his face. Toothpaste was smeared in his moustache.
"This," he thought, "is a Keystone Comedy."
He walked out of the bathroom still towelling his face and picked up the telephone.
"Yes Ma'am."
It was the school matron voice. Soothing and clinical. The one matron used as you winced when she dressed your cuts and grazes.
On the T.V. the day's events were being replayed.
"Yes Ma'am," he had cancelled tomorrow's engagements.
"No Ma'am," he hadn't yet seen a doctor.
"Yes Ma'am," he would let the doctor look at him.
The voice kept on. Ten years now. Does the bitch ever stop?
On the T.V. he was going through the motions again.
Cutting the ribbon, declaring another Yuppieville well and truly open, the balloons going up to orchestrated applause and then he stopped speaking, the T.V. fixing his attention.
The balloons went up.
One of the balloons, a red one, detached itself from the main flight, described an arc and burst on his head.
He was in and out of the memory, the taste of petrol in his mouth and the shivering terror.
He saw and remembered himself being rushed, blinded, into the flats, the bodyguards shouting, shoving him, holding him at arms length, taking no chances.
There was the possibility of fire.
A white-faced citizen was being hauled from the crowd, a man in his fifties,
dressed in a shabby blue anorak, grimacing or grinning? as his arms were twisted behind him.
"The bastard!" he said, dropping the phone.
He turned and made for the bathroom, fear bringing up the taste.
The aide retrieved the phone and made stammering apologies to a shrill small voice.
He entered the bathroom and closed the door, then wearily, he sat down on the toilet and covered his face with his fists.
"The bastard!", he repeated, knowing now with certainty the attack was merely to frighten.
He began to weep, feeling sorry for himself. He was very tired and he had been badly frightened and the world had seen his terror and embarrassment.
"The bastards! The fucking bastards!"
He began to shiver.
Petrol.
The taste was back.
He would have to wash his mouth out again.
S

 

From:
Workers City "The Real Glasgow Stands Up"
Edited By Farquar McLay Clydeside Press

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